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Donald Judd: Writings, copublished by Judd Foundation and David Zwirner Books, is the most comprehensive collection of the artist's writings assembled to date. This timely publication includes Judd's best-known essays organized chronologically with little-known texts previously published in limited editions. This new collection also includes unpublished college essays and hundreds of never-before-seen handwritten notes, a critical but unknown part of Judd's writing practice. Judd's earliest published writing, consisting largely of reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd's early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd's unpublished notes--transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most, from complaints about pluralism in art to his admiration for Giambattista Vico, and through him, Lucretius. In these intimate reflections we see Judd's thinking at its least mediated--a mind continuing to grapple with questions of its moment, demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary art.

art criticism --- Art --- Judd, Donald --- anno 1900-1999 --- kunst --- kunsttheorie --- beelhouwkunst --- Verenigde Staten --- twintigste eeuw --- minimalisme --- conceptuele kunst --- concept art --- minimal art --- Judd Donald --- 1900-1999 --- Art critics. --- Artists' writings, American --- Artists. --- Judd, Donald, --- Art, Modern --- Artists' writings --- Ecrits d'artistes --- Écrits d'artistes --- Écrits d'artistes. --- Correspondence --- artists' statements --- Artists' writings, American - 20th century --- Judd, Donald, - 1928-1994 --- Judd, Donald, - 1928-1994 - Correspondence --- Judd, Donald, - 1928-1994 - Écrits --- Écrits d'artistes --- Écrits d'artistes.

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"This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd's personal spaces, which are a crucial part of this revered artist's oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd's extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building's historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd's consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture"

Architecture --- Design --- History --- Judd, Donald --- Chinati --- Architectuur en beeldende kunst --- Architectuur ; Minimalisme --- Architectuur ; Verenigde Staten ; 20ste eeuw --- Architectuur ; interieurarchitectuur ; 20ste eeuw ; D. Judd --- Interieurarchitectuur ; meubels ; 20ste eeuw ; D. Judd --- Judd, Donald 1928-1994 (°Excelsior Springs, Missouri, Verenigde Staten) --- 749.07 --- 72.07 --- Meubelontwerpers ; designers ; interieurarchitecten A - Z --- Architecten. Stedenbouwkundigen A - Z --- Judd, Donald, --- Résidences et lieux familiers. --- Judd Foundation

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architectuur --- Architecture --- hedendaagse architectuur --- architecture [discipline] --- Swiss Federal Institute of Technology --- Switzerland --- Philosophie --- 72.039 --- 72.01 --- Zumthor, Peter ; Brüder-Klaus-Kapelle --- Metaforen --- Judd, Donald --- Philosophy. --- Architectuur ; theorie, filosofie, esthetica --- Philosophy --- Modern [style or period] --- architecture [object genre] --- Philosophie.

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Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for 'Three American Painters,' the text of his book 'Morris Louis,' and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. These are uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he went on to write. The result is a book that is simply indispensable for anyone concerned with modernist painting and sculpture and the task of art criticism in our time.

Olitski, Jules --- Poons, Larry --- Noland, Kenneth --- Stella, Frank --- Bolus, Michael --- Davis, Ron --- Pollock, Jackson --- Caro, Anthony --- Louis, Morris --- kunsttheorie --- kunstkritiek --- schilderkunst --- beeldhouwkunst --- twintigste eeuw --- Stella Frank --- Morris Louis --- Olitski Jules --- Caro Anthony --- Davis Ronald --- Noland Kenneth --- Bolus Michael --- Poon Larry --- Judd Donald --- Oldenburg Claes --- Twombly Cy --- De Kooning Willem --- 7.01 --- 7.038 --- Art, Modern --- Art. --- Art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive

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ruimtelijke kunst --- Art styles --- Minimal --- minimal art --- Beeldende kunst 20ste eeuw Minimal Art --- Minimalisme --- Andre, Carl --- Flavin, Dan --- Judd, Donald --- Lewitt, Sol --- Morris, Robert --- Licht neon --- 7.038 --- edited by James Meyer --- kunst --- schilderkunst --- beeldhouwkunst --- installaties --- minimalisme --- twintigste eeuw --- Verenigde Staten --- André Carl --- Baer Jo --- Bell Larry --- Bladen Ronald --- Bochner Mel --- Bourdon David --- Burn Ian --- Chave Anna C. --- Chicago Judy --- Coplans John --- Crimp Douglas --- De Maria Walter --- Di Suvero Mark --- Flavin Dan --- Foster Hal --- Fried Michael --- Glaser Bruce --- Greenberg Clement --- Gregor Harold --- Halley Peter --- Hesse Eva --- Humphrey Ralph --- Judd Donald --- Kramer Hilton --- Krauss Rosalind --- Leider Philip --- LeWitt Sol --- Lippard Lucy R. --- McCracken John --- McShine Kynaston --- Mangold Robert --- Marden Brice --- Martin Agnes --- Merleau-Ponty Maurice --- Meyer Ursula --- Michelson Annette --- Mogenson Paul --- Morris Robert --- Novros David --- Rainer Yvonne --- Rose Barbara --- Rosenblum Robert --- Ryman Robert --- Serra Richard --- Siegel Jeanne --- Smith Tony --- Smithson Robert --- Sontag Susan --- Stella Frank --- Tillim Sydney --- Truitt Anne --- Wagstaff Jr. Samuel J. --- kunst 20e eeuw --- 7.036 --- Kunstgeschiedenis 1950 - 2000 --- kunstgeschiedenis - expressionistische en impressionistische richtingen, functionalisme, naturalisme, realisme en moderne stromingen 2e helft 19e eeuw-vroege 20e eeuw --- Minimal art --- Baer, Jo --- Novros, David --- Mogensen, Paul --- Truitt, Anne --- Humphrey, Ralph --- Smith, Tony --- Bladen, Ronald --- McCracken, John Harvey --- Bell, Larry --- Maria, de, Walter --- Beeldende kunst ; 20ste eeuw ; Minimal Art --- Licht ; neon --- Kunstgeschiedenis ; 1950 - 2000 --- History --- Painting --- Art --- Sculpture --- installations [visual works] --- art history --- art [fine art] --- painting [image-making] --- sculpting --- Stella, Frank --- Smithson, Robert --- Ryman, Robert --- Hesse, Eva --- Marden, Brice --- Martin, Agnes --- Mangold, Robert Peter --- LeWitt, Sol --- Chicago, Judy --- anno 2000-2099 --- anno 1900-1999 --- United States --- Art [Modern ] --- 20th century --- Chave Anna C --- Lippard Lucy R --- Wagstaff Jr. Samuel J --- Baer, Josephine Gail --- art [discipline] --- MODERN ARTS --- MINIMALISM --- 20th CENTURY